How much are Camille Pissarro paintings worth?

How much are Camille Pissarro paintings worth?

Sales Price: $9,444,300 ( -3% under est.)…Camille Pissarro.

Title La Rue Saint-Lazare, temps lumineux
Estimate: $8,000,000 – $12,000,000
Signature Signed and Dated
Size 28.88″ x 23.75″ (73.36 cm x 60.33 cm)
Created 1893

What was Camille Pissarro first painting?

In these early years in France, Pissarro painted scenes of the West Indies from memory, and he found guidance from Melbye’s brother Anton. Indeed, when he first showed work at the Paris Salon of 1859, Pissarro called himself “Pupil of A. Melbye,” a title he continued to use until 1866.

How many paintings did Camille Pissarro paint?

When Pissarro returned to his home in France after the war, he discovered that of the 1,500 paintings he had done over 20 years, which he was forced to leave behind when he moved to London, only 40 remained.

What is Pissarro known for?

Camille Pissarro was a French landscape artist best known for his influence on Impressionist and Post-Impressionist painting.

How do you get a painting valued?

If the name is not clear you may need to use a professional dealer or auction house to attribute the artwork. If you suspect that your picture is valuable, take it to a specialist fine art auctioneer, such as Bonham’s, Christie’s or Sotheby’s.

What was Camille Pissarro style of painting?

Impressionism
Post-ImpressionismNeo-Impressionism
Camille Pissarro/Periods

How did Camille Pissarro start painting?

His artistic interests began to emerge thanks to the school’s headmaster, Monsieur Savary, who encouraged him to draw directly from nature and to use direct observation in his drawings, empirically rendering each object in its truest form. At age 17, Pissarro returned to St.

Did Camille Pissarro get married?

In 1861, Pissarro registered as a copyist at the Musée du Louvre, and around this same time he met Julie Vellay, the daughter of a vineyard owner in the Burgundy region. They married in London in 1871, eventually having eight children.

Why was drawing so important to Pissarro?

Pissarro on the importance of drawing: Do not be fooled by his painterly and almost chaotic brushwork. His fundamentals, including drawing, are strong; this allows him more flexibility with his brushwork.

How do I know if my painting is valuable?

One good indicator of how to tell if a paint is valuable is to figure out who owned the painting beforehand. If someone who was high up or well-known in the art community owned the painting, then there might have been a reason for it. They knew that it was worth more.

What are the characteristics of Camille Pissarro?

The reclusive, short-tempered French painter Camille Pissarro was one of the core members of the French Impressionism movement. In almost 50 years of Impressionist landscape painting, he sought to record the pure effects of colour and tone in nature.

Who was Camille Pissarro and what did he do?

Camille Pissarro (French: [kamij pisaʁo]; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism.

Why was Camille Pissarro the dean of the Impressionist painters?

Art historian John Rewald called Pissarro the “dean of the Impressionist painters”, not only because he was the oldest of the group, but also “by virtue of his wisdom and his balanced, kind, and warmhearted personality”. Cézanne said “he was a father for me.

Who was Camille Pissarro’s father Rachel Pomie Petit?

Pissarro’s father was a French citizen of Portuguese Jewish descent who traveled to St. Thomas to help settle the estate of his late uncle and wound up marrying his uncle’s widow, Rachel Pomié Petit. The marriage was controversial and not immediately recognized by the small Jewish community where they lived.

What kind of art did Pissarro paint in Sydenham?

Through the oil paintings Pissarro completed at this time, he records Sydenham and the Norwoods at a time when they were just recently connected by railways, but prior to the expansion of suburbia.

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