What are the characteristics of the Der Blaue Reiter?
Der Blaue Reiter was formed in 1911 in Munich as a loose association of painters led by Vasily Kandinsky and Franz Marc. They shared an interest in abstracted forms and prismatic colors, which, they felt, had spiritual values that could counteract the corruption and materialism of their age.
What are some of the key ideas of the Der Blaue Reiter movement of German Expressionism *?
Der Blaue Reiter painting was structured around an idea that color and form carried concrete spiritual values. Thus, the move into abstraction resulted partly from radically separating form and color into discrete elements within a painting or applying non-naturalistic color to recognizable objects.
What were the aims of the Der Blaue Reiter?
One of the editors of the book, the Russian artist Vasily Kandinsky, wrote of Der Blaue Reiter’s intent, “We aim to show by means of the variety of forms represented how the inner wishes of the artist are embodied.” [1] This emphasis on the “inner” or subjective mental states of the artist, as opposed to the “outer” or …
What are the differences between Die Brücke and Der Blaue Reiter?
Die Brücke was more affiliated with Dresden and Berlin, while Der Blaue was more strongly connected to Munich. However, they did have certain visual elements in common. First of all, they both participated in the resumption of the bestiary aesthetic, and the use of lurid colours, almost garish or gaudy.
What was the Der Blaue Reiter movement?
Expressionism
The Blue Rider/Periods
What are the two movements of German Expressionism called?
There were two main groups of German expressionist artists: Die Brücke (the bridge) led by Ernst Ludwig Kirchner, and Der Blaue Reiter (The Blue Rider) led by Wassily Kandinsky and Franz Marc.
What was the Blaue Reiter Blue Rider movement?
What are the characteristic features of Synthetic Cubism?
The main characteristics of Synthetic Cubism were the use of mixed media and collage and the creation of a flatter space than with analytical cubism. Other characteristics were greater use of color and greater interest in decorative effects.
What were artists in the German Expressionism movements such as Die Brücke reacting to in their work?
The artists’ group Die Brücke was established in 1905, a moment that is recognized as the birth of Expressionism. The affiliated artists often turned to simplified or distorted forms and unusually strong, unnatural colors to jolt the viewer and provoke an emotional response.
Why did Der Blaue Reiter end?
The end of Der Blaue Reiter was almost entirely due to the outbreak of World War I in 1914. Due to their Russian citizenship, Kandinsky, Jawlensky, and Werefkin were deported, with Kandinsky returning to Russia and Jawlensky and Werefkin immigrating to neutral Switzerland.
Who are the members of Der Blaue Reiter?
Der Blaue Reiter dissolved with the outbreak of World War I in August 1914. Kandinsky, a Russian citizen, was forced to return to his homeland, and Marc and another Blaue Reiter artist, August Macke, were killed in action. Der Blaue Reiter was formed in 1911 in Munich as a loose association of painters led by Vasily Kandinsky and Franz Marc.
Why was the Blaue Reiter movement so important?
They considered that the principles of the Neue Künstlervereinigung München, a group Kandinsky had founded in 1909, had become too strict and traditional. Der Blaue Reiter was an art movement lasting from 1911 to 1914, fundamental to Expressionism, along with Die Brücke which was founded in 1905.
What did Marc Marc say about Der Blaue Reiter?
Before and during his years in Der Blaue Reiter, Marc developed a color theory that ran parallel and occasionally overlapped with Kandinsky’s. In a 1910 letter to August Macke, he wrote: “Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay, and spiritual.
When did Der Blaue Reiter reject Kandinsky’s composition?
Indeed, by the third NKvM exhibition of 1911-12, the artists of Der Blaue Reiter mounted a parallel exhibition in the opening gallery, having seceded from their own secessionist movement. In 1911 the artists of the NKvM rejected Kandinsky’s Composition V (1911), which he later subtitled Last Judgment.