Who created the ballet Coppelia?
Part One: History and Background Yes, that’s right, a ballet with lots of funny bits! It was originally choreographed by Arthur Saint-Leon with music by Leo Delibes. The libretto is by Charles Nuitter. Nuitter’s libretto and stage design was based upon two stories by E.T.A Hoffman, The Sandman and Die Puppe (The Doll).
Who was the French composer of the music for the ballet Coppelia?
Léo Delibes Clément Philibert Léo Delibes
Clément Philibert Léo Delibes (21 February 1836 – 16 January 1891) was a French composer, best known for his ballets and operas. His works include the ballets Coppélia (1870) and Sylvia (1876) and the opera Lakmé (1883).
Is Coppelia a classical ballet?
Coppelia is a classical ballet based on a story by E.T.A. Hoffmann entitled “Der Sandmann” (“The Sandman”), which was published in 1815. The ballet premiered in 1870. The Coppelia story evolved from traveling shows of the late 18th and early 19th centuries starring mechanical automatons.
What nationality was Delibes?
French
Léo Delibes/Nationality
Léo Delibes, in full Clément-Philibert-Léo Delibes, (born February 21, 1836, Saint-Germain-du-Val, France—died January 16, 1891, Paris), French opera and ballet composer who was the first to write music of high quality for the ballet.
Who choreographed Coppelia?
Arthur St. Léon
Hoffmann’s Der Sandmann, Coppélia is considered one of the triumphant comic ballets of the 19th century and marked the passing of ballet supremacy from France to Russia. Originally choreographed by Arthur St. Léon in Paris in 1870, it was restaged by Marius Petipa in St.
Is Coppelia an opera?
The opera consists of a prologue, three fantastic tales in which Hoffmann is a participant, and an epilogue. In the first story, based on Der Sandmann, Hoffmann falls in love with a mechanical doll, Olympia, but in this case, the story has a melancholy tinge as the doll was destroyed by Dr.
What was Coppelia based on?
Coppélia is based on a story by E. T. A. Hoffmann – the same tale that sparked Offenbach’s brilliant “Doll Act” in his opera, The Tales of Hoffmann. Coppélia met with immediate success on its completion in 1870 and has been held a charming favorite by succeeding ballet‑lovers both young and old.