How does Coleridge compare fancy with imagination?
The difference between imagination and fancy, according to Coleridge, is one of kind rather than degree. Fancy is not a creative power at all. It only combines what is perceives into beautiful shapes, but like the imagination it does not fuse and unify.
How does Coleridge divide imagination?
Samuel Taylor Coleridge divides imagination into two parts: the primary and secondary imagination. It co-exists with the conscious will, but because of this, the secondary imagination does not have the unlimited power to create. It struggles to attain the ideal but can never reach it.
What is Coleridge interpretation of imagination?
Coleridge refers to the “esemplastic power of the imagination”, “esemplastic” meaning “shaping into One”. Imagination- Coleridge‟s “esemplastic” power is intuitive, unitive, Imagination is the capacity to image in a creative, Whole-seeking way, and in doing so to perceive the Oneness of the universe.
What does Coleridge mean by secondary imagination?
The Secondary imagination makes artistic creation possible. It requires an effort of the will and conscious effort. The Secondary Imagination is at the root of all poetic activity. It is the power which harmonizes and reconciles opposites, and Coleridge calls it a magical synthetic power.
How does Coleridge differentiate between the two key terms?
The difference between the two is the same as the difference between a mechanical mixture and a chemical compound. In a mechanical mixture, a number of ingredients are brought together. They are mixed up but do not lose their individual properties. They still exist as separate identifies.
How does Coleridge distinguish prose and poetry?
Thus, according to Coleridge, the poem is distinguished form prose compositions by its immediate object. The immediate object of prose is to give truth and that of poem is to please. He again distinguishes those prose compositions (romance and novels) from poem whose object is similar to poem i.e. to please.
What is Coleridge theory of poetry?
Coleridge considers poetry as the fragrance of all human knowledge and thoughts. It is the scent of human passions, emotions and language. He thinks that no man was ever a great poet without being a profound philosophy. A great poet should attempt and achieve a union between the high finish and the appropriateness.
How does Coleridge differentiate between primary and secondary imagination show how his theory of imagination is a landmark in the history of literary criticism?
According to Coleridge, Imagination has two forms i.e. Primary and Secondary. Primary imagination is merely the power of receiving impressions of the external world through the senses. It is the secondary imagination that which makes artistic creation possible. It is more active and conscious in its working.
What chapter outline Coleridge defines fancy and imagination?
In chapter four of ‘Biographia literaria ‘, Coleridge tells that fancy and imagination are not two names with one meaning or the lower and higher degree of the one and the same power but are two distinct and widely different faculties. …
How does Coleridge define the nature and function of poetry?
In chapter 15, he applies these elements to his analysis of William Shakespeare’s “Venus and Adonis.” After reviewing specific achievements in that poem, Coleridge links the work to his definition: poetry is the blossom and the fragrancy of all human knowledge, human thoughts, human passions, emotions, language.
How does Coleridge appreciate poetic imagination of Shakespeare?
Like his eighteenth-century predecessors, Coleridge sees Shakespeare as emblematic of the “sympathetic imagination.” Shakespeare, Coleridge says, developed characters according to pre-existing principles of human psychology; he would then use sympathy to understand (and therefore represent) how a character might behave …
What is beauty and beauty making power according to Coleridge?
In Coleridge’s view, this joy is the power of the soul through which the music of external objects can be heard. It is such a force that even the ugliest realities of life are made beautiful by it. Thus, the inner joy of the soul is a beauty-making power.
What did Coleridge mean by the word imagination?
Coleridge defines imagination by saying that “The imagination then I consider either as primary, or secondary. The primary imagination I hold to be the living power and prime agent of all human perception,and as a repetition in the finite mind of the eternal act of creation in the infinite I am .
What did Coleridge mean by Biographia Literaria?
Coleridge,in his essay “Biographia Literaria”,rejecting the empiricist assumption that the mind was tabula rasa on which external experience and sense impressions were imprinted, stored,recalled, combined both come from respectively the Latin word ‘imaginato’ and Greek word ‘phantasia’.
How did Samuel Taylor Coleridge differentiate between fancy and imagination?
In chapter 4 of the Biographia Literaria, Samuel Taylor Coleridge remarks on the distinction between fancy and imagination in the context of his attempts to understand and evaluate the works of Wordsworth: Repeated meditations led me first to suspect that Fancy and Imagination were two distinct and widely…
What did Coleridge call the power of fancy?
Coleridge has called fancy the ‘aggregative and associative power’. However Wordsworth argued that , ” to aggregate and to associate, to evoke and to combine, belong as well to imagination as to the fancy.”