What is the story of La Sonnambula?

What is the story of La Sonnambula?

Set in a darkly mysterious masked ball, the one-act La Sonnambula, originally called Night Shadow, tells the story of a Poet who pays suit to a Coquette, who is escorted by the Host. After a series of exotic divertissements, the elegantly attired guests go in to supper, leaving the Poet to himself.

What does La Sonnambula mean in English?

sleepwalker
sonnambula (also: sonnambulo) sleepwalker {noun}

Who wrote La Sonnambula?

Felice Romani
La sonnambula/Librettists

La sonnambula (The Sleepwalker) is an opera semiseria in two acts, with music in the bel canto tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ballet-pantomime written by Eugène Scribe and choreographed by Jean-Pierre Aumer called La somnambule, ou L’arrivée d’un …

When was La Sonnambula written?

1831
La sonnambula/Written

Who is the composer of the opera La sonnambula?

La Sonnambula – Synopsis (English title: The Sleepwalker) An Opera by Vincenzo Bellini Opera in three acts by Bellini, words by Felice Romani.

Who is Rodolfo in the opera La sonnambula?

The inhabitants of a small Swiss village are celebrating the forthcoming marriage of the orphan Amina and the wealthy farmer Elvino. The feudal lord Rodolfo, who is returning home after the death of his father, arrives to stay at the inn, where he flirts with Lisa, the hostess. Suddenly a window openv , through which enters Amina.

What is the synopsis of La sonnambula by Bellini?

La Sonnambula – Synopsis. In the background a water mill. In the distance mountains. As the curtain rises the villagers are making merry, for they are about to celebrate a nuptial contract between Amina, an orphan brought up as the foster child of Teresa, the mistress of the village mill, and Elvino, a young landowner of the neighbourhood.

Who is Amina in the opera La sonnambula?

The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogato voice (not be confused with the modern mezzo, nonexistent at the time) who sang soprano and contralto roles unmodified.

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