How many versions of Metropolis are there?
In 1993 Jeff Forrester / USA Networks produced NEW copyrighted versions of mainstream silent films w/ EXCLUSIVE scores & NEW inter-titles. All but one (METROPOLIS) were in black & white. There were 7 in total.
In what year is Metropolis set?
1927
Metropolis (1927) Directed by Fritz Lang and his wife, Thea von Harbou, “Metropolis” takes place in the year 2000 in the mythical setting of Metropolis. This German story is a utopic vision of a Marxist society that goes too far.
How long was Metropolis originally?
2h 25m
Metropolis/Running time
What was the point of Metropolis?
Metropolis is concerned with wider cultural and political issues, evidenced visually as well as thematically. The film’s social preoccupations have been described as a commentary on the political situation that existed in Germany at the time, but also served as a warning of where Germany was heading in the future.
Why is Metropolis a silent film?
Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre….Metropolis (1927 film)
| Metropolis | |
|---|---|
| Release date | 10 January 1927 |
Who wrote Metropolis?
Fritz Lang
Thea von Harbou
Metropolis/Screenplay
When was the word Metropolis first used?
metropolis (n.) Meaning “chief town or capital city of a province” is attested from 1580s; the earlier word for this in English was metropol (late 14c.) or metropolitan (mid-15c.). Related: Metropolitical “pertaining to or belonging to a metropolis.”
How was Metropolis filmed?
Metropolis was the most expensive film ever made at the time, and groundbreaking special effects were used, such as the Schüfftan process, in which actors were projected onto miniature models sets by using mirrors, in order to create the impressive city scenes.
What movies did Metropolis influence?
Despite advances in filmmaking technology, no other film has surpassed Metropolis in terms of its impact on production design. Its influence can be seen in many subsequent science fiction films, including Ridley Scott’s Blade Runner (1982) and Terry Gilliam’s Brazil (1985).
Is Metropolis a horror film?
Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre….Metropolis (1927 film)
| Metropolis | |
|---|---|
| Box office | 75,000 Reichsmarks (estimated) |
Has Metropolis been remade?
I must say up front that I am astounded that Metropolis (1927, Fritz Lang) has not been remade. Of course, Metropolis is also famous for its incredible mise en scenes and compositions, the film being one of the most striking examples of German Expressionism.
What was the inspiration for Metropolis?
According to Lang, a visit to New York City inspired his vision of Metropolis and its dazzling skyscrapers: “I looked into the streets – the glaring lights and the tall buildings – and there I conceived Metropolis.
What was the influence of the movie Metropolis?
It can be stated that the movie Metropolis was the first film created to fit the futurist film movement of the 1920s. This silent German expressionist science fiction film is considered a masterpiece by Fritz Lang and is said to have influenced many directors of the West on how the future city was portrayed visually.
Who was the inventor of Metropolis Fritz Lang?
The inventor C.A. Rotwang (Rudolf Klein-Rogge) and his robotic invention (Brigitte Helm) in Fritz Lang’s silent film classic Metropolis (1927).
Who was Gustav Frohlich in the movie Metropolis?
Gustav Fröhlich (Freder) had worked in vaudeville and was originally employed as an extra on Metropolis before Thea von Harbou recommended him to Lang. Brigitte Helm (Maria) had been given a screen test by Lang after he met her on the set of Die Nibelungen, but would make her feature film debut with Metropolis.
Who was the composer of the movie Metropolis?
Gottfried Huppertz composed the film’s score for a large orchestra. He drew inspiration from Richard Wagner and Richard Strauss, and combined a classical orchestral style with mild modernist touches to portray the film’s massive industrial city of workers.