What are flute extended techniques?

What are flute extended techniques?

The most commonly used extended flute techniques are: “singing while playing or simultaneous singing and playing, multiphonics, harmonics, key percussion, alternative fingers, flutter tongue, whistle tones, glissando, microtonal, etc.” (Ataman, 2016; Önertürk, 2015a; Pietersen, 2010; Seçkin, 2011).

How do you notate Multiphonics for flute?

To study any multiphonic we follow these four basic steps:

  1. Play a long note on the lower pitch. Use the vowel [o] to support this sound.
  2. Play a long note on the higher pitch.
  3. Play slowly and legato from the lower to the higher pitch.
  4. Now, intend to play both pitches simultaneously.

What are some flute techniques?

EXTENDED TECHNIQUES FOR FLUTE

  • Bamboo tones.
  • Circular Breathing.
  • Flutter tongue.
  • Harmonics.
  • Jet whistle.
  • Keyclicks.
  • Microtones & quartertones.
  • Multiphonics.

What are extended techniques in music?

Wikipedia defines extended techniques as “performance techniques used in music to describe unconventional, unorthodox, or non-traditional techniques of singing, or of playing musical instruments to obtain unusual sounds or instrumental timbres.” While this is a good general definition, what is an “unusual or …

Can flutes play Multiphonics?

This technique can be used on all flutes.

How do you notate Multiphonics?

Multiphonics are usually notated by a separate voice written above the instrumental part in the same staff with an alternate notehead style. You will notice numbers 1-4 on the number pad above the various rhythmic choices. These are the Sibelius Voices feature and they are color coded to match each voice being used.

What are playing techniques?

The term playing techniques covers a wide range of instructions intended to tell performers to modify the sound of the notes they are playing, for example, by changing their embouchure or changing the position of their bow, or by modifying their instrument, such as adding a mute or depressing a pedal.

What is an instrumental technique?

Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one’s technique generally entails practicing exercises that improve one’s muscular sensitivity and agility.

Which is an example of an extended technique?

Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and overblowing into a wind instrument without a mouthpiece, or inserting objects on top of the strings of a piano.

What is extended improvisation?

One definition is a “performance given extempore without planning or preparation”. Another definition is to “play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies”.

Are there any extended techniques for the flute?

All the extended techniques for flute on one website. That’s what Flute Colors is about. Click on one of the extended techniques on this page for more information about notation, how to perform the technique, watch and listen how it is played and much more. Extended techniques add a lot of new possibilities to sound of the flute.

Which is the best book for flute performance?

Most flute professionals point to The Other Flute: A Performance Manual of Contemporary Techniques by Robert Dick (1975) as the handbook for modern techniques on the instrument, though other references do exist.

Can a quarter tone be played on a flute?

Quarter tones are possible on the flute largely due to the open tone holes. Quarter tones on auxiliary flutes often use entirely different fingerings, and are very different, and sometimes quite difficult to achieve.

Can a flute play a continuous glissandi?

When flutists typically think of glissandi, it generally means playing a sequence of diatonic or chromatic notes in succession from a fixed starting point to a fixed ending point. However, in the realm of extended techniques, it is possible on an open hole flute to create smooth continuous glissandi between various notes.

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