Is Klein blue patented?
A Patented Color Process Yves Klein Blue was developed by Yves and his chemists to have the same color brightness and intensity as dry pigments. The color is achieved by suspending dry pigment in a clear synthetic resin. This new medium was patented by Klein.
Is International Klein Blue trademarked?
International Klein Blue is one of the most famous painters’ trademarked colors, created by Yves Klein (1928-1962), a French artist. It was developed together with Edouard Adam, a paint supplier, with whom Klein cooperated.
Who patented his own color blue?
In fact, his chromatic devotion was so profound that in 1960 he patented a colour of his own invention, which he called International Klein Blue. Born in 1928 with two painters for parents, Klein always displayed a penchant for showmanship.
What did Yves Klein patent?
International Klein Blue
Display caption. In 1947, Klein began making monochrome paintings, which he associated with freedom from ideas of representation or personal expression. A decade later, he developed his trademark, patented colour, International Klein Blue (IKB).
Is International Klein Blue toxic?
Yves Klein, a French artist associated his name with the blue of his paintings by calling it IKB, International Klein Blue and incorporate the color into his various work. In the sample testing, it turned out to be the most vivid shade of blue. It contains no toxic compounds, so it is also very safe to use.
Why did Yves Klein use blue?
Above all accolades and achievements, Klein ultimately became famous for developing a vivid, intense shade of blue. For Klein, this blue held significant meaning, representing his spirituality and religious upbringing, the essence of natural elements like water and sky, and the vast expanse of the universe.
Is Yves Klein blue ultramarine?
Klein, who died in 1962, also applied the ultramarine International Klein Blue pigment to sponges that he attached to canvases or fixed on wire stands, creating anthropomorphic sculptures.
Can you buy Yves Klein blue?
Yves Klein’s Signature Blue Paint Is Now for Sale, So It’s Easier Than Ever to Recreate a Priceless Artwork.
What contribution did Yves Klein bring to the world of color?
Summary of Yves Klein Yves Klein was the most influential, prominent, and controversial French artist to emerge in the 1950s. He is remembered above all for his use of a single color, the rich shade of ultramarine that he made his own: International Klein Blue.
Why is Klein blue famous?
Klein Is Famous For His Blue Paintings He began painting his monochromes in 1947. Klein even claimed that in the future artists would only use one color in their works. Klein’s most famous works are probably his blue paintings, but in the monochrome paintings, the artist also used colors pink, gold, and orange.
Who invented Ultramarine?
On February 4, 1828, the prize was awarded to Jean Baptiste Guimet who submitted a process he had secretly developed in 1826. Guimet’s ultramarine was sold for four hundred francs per pound.
Who is the artist of International Klein Blue?
International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein.
When did Roger Eno record International Klein Blue?
In 1982 Danish rock band Kliché released an instrumental named “International Klein Blue”. International Klein Blue is the color used by Blue Man Group. Roger Eno recorded a composition called Reflections on I.K.B. on his 1985 album Voices (EG Records, Virgin).
When did Yves Klein use the color blue?
L’accord bleu (RE 10), 1960, mixed media piece by Yves Klein featuring IKB pigment on canvas and sponges. Although Klein had worked with blue extensively in his earlier career, it was not until 1958 that he used it as the central component of a piece (the color effectively becoming the art).
Why was ultramarine blue so important to Klein?
“Out of all the colours Klein used, ultramarine blue became the most important. Unlike many other colours, which create opaque blockages, ultramarine shimmers and glows, seemingly opening up to immaterial realms. Klein’s blue monochromes are not paintings but experiences, passageways leading to the void.”