What does the Portuguese by Georges Braque depict?
The Portuguese is the first and only painting in which the stencilled lettering made its appearance. According to Georges Braque, the lettering represents a transition between synthetic cubism and analytical cubism. The painting features stencilled letters BAL and numerals under them.
Who were Pablo Picasso and Georges Braque to Cubism?
Georges Braque and Pablo Picasso: Two Cubist Musicians. The Portuguese and Ma Jolie are well-known examples of late Analytic Cubism , sometimes called High Analytic Cubism or Hermetic Cubism. The latter name refers directly to the mysterious and difficult qualities of these paintings’ abstraction.
What is the subject matter of Pablo Picasso’s Ma Jolie?
In this composition, Picasso takes apart a traditional subject—a woman holding a guitar. He composed the figure into different planes, angles, lines, and shadings, completely abstracting the face.
What is Cubism meaning?
: a style of art that stresses abstract structure at the expense of other pictorial elements especially by displaying several aspects of the same object simultaneously and by fragmenting the form of depicted objects.
Where did Georges Braque paint Le Portugais?
Georges Braque. Original Title: Le Portugais. Date: 1911; France. Style: Analytical Cubism. Genre: portrait. Media: oil, canvas. Location: Kunstmuseum Basel, Basel, Switzerland. Dimensions: 116.8 x 81 cm.
Where are the Roman numerals in Braque’s the Portuguese?
The Portuguese marks an interesting point in the development of Braque’s paintings. In the top right hand corner, he stenciled the letters “D BAL” and under them, roman numerals. Although he had included numbers and letters into a still life in 1910, they were a representational element of the painting.
Why did Georges Braque include numbers in his still life?
Although he had included numbers and letters into a still life in 1910, they were a representational element of the painting. In this piece, the letters and numbers are a purely compositional addition.
What did Braque do with the guitar player?
In this canvas, everything was fractured. The guitar player and the dock was just so many pieces of broken form, almost broken glass. By breaking these objects into smaller elements, Braque and Picasso are able to overcome the unified singularity of an object and instead transform it into an object of vision.